The Path of Jusaburo

The Path of Jusaburo

後藤靖香

2025.9.20 Sat - 2025.10.18 Sat

TEZUKAYAMA GALLERY–MAIN GALLERY is pleased to present Yasuka Goto: The Path of Jusaburo from September 20.

Yasuka Goto is known for her practice of excavating buried personal histories—beginning with the wartime experiences of her grandfather and great-uncles, as well as memories inscribed in particular places—and rendering them on large-scale canvases with sweeping, expressive brushwork and dramatic, narrative intensity. Her works are characterized by powerful strokes and an overwhelming presence that leaves a lasting impression on the viewer’s memory.

In recent years, Goto has broadened her practice by exploring Bunraku, the traditional Japanese puppet theater. In 2023, she created the stage designs for Nakanoshima Bunraku 2023—Bunraku × Kodan × Contemporary Art Projection Mapping, producing original drawings in shades of blue as materials for projection mapping, as well as a monumental drawing that adorned the stage curtain. During her research, she discovered that during the war years, Bunraku productions staged works such as Nikudan San-yūshi (“The Three Human Bomb Heroes”) and Kyūgunshin (“The Nine War Gods”), serving as propaganda that glorified war and bolstered the national cause. For Goto, who has long engaged with memories of war through her work, this was an unexpected point of connection. It culminated in the creation of Doudou-meguri (whichi means Endless Loop), which symbolically depicts Sadamu Kamita, one of the “Nine War Gods” who perished in the attack on Pearl Harbor and was presented at ART OSAKA 2024 in the Expanded Section.

This solo exhibition is her first time at TEZUKAYAMA GALLERY in about five years, it takes as its starting point her relative Jusaburo Goto, who lost his life at the epicenter of the atomic bombing of Hiroshima. While Goto has previously depicted the wartime experiences of her grandfather, great-uncles, and the memories of those who survived, this is the first time she confronts the subject of “the atomic bomb and Hiroshima” through a personal connection. Significantly, the exhibition coincides with the 80th anniversary of the end of World War II. As the voices of direct war survivors fade, Goto asks how we might imagine, give form to, and carry forward the unutterable memories of war. Through the story of Jusaburo’s life, this exhibition invites viewers to reflect quietly on that question.